Alma Tadema's Oil Paintings
	Alma Tadema Museum 8 January 1836 – 25 June 1912. Most renowned painters.
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Here are all the paintings of Gerard Dou 01

ID	Painting	Oil Pantings, Sorted from A to Z	Painting Description
92099		A Poulterer's Shop	1670(1670) Medium oil on oak panel Dimensions 58 X 46 cm (22.8 X 18.1 in) cyf
90549		Eine Katze am Fenster eines Malerateliers	1657(1657) Medium : oil on canvas cjr
53824		Eremiten	mk234 1670 46x34cm
89120		Officer of the Marksman Society in Leiden	1630(1630) Medium oil on oak cyf
91146		Officer of the Marksman Society in Leiden	1630(1630) Medium oil on oak wood cyf
39682		Old woman at her window,Watering flower	mk150 c.1660/65 28.3x22.8cm
92475		Old Woman Cutting Bread	c. 1655(1655) Medium oil on panel Dimensions 28 X 22 cm (11 X 8.7 in) cjr
89116		Old Woman Watering Flowers	between 1660(1660) and 1665(1665) Medium oil on wood cyf
89117		Old Woman with a Candle	1661(1661) Medium oil on oak cyf
89255		Painter in his Studio	1647(1647) Medium oil on oak cyf
72351		Portrait of an old woman reading	Old woman reading a lectionary: the so-called portrait of Rembrandt's mother, Neeltgen Willemsdr van Zuijdtbroeck (d 1640). ca. 1630 (1630-1639) Oil on panel 71 X 55.5 cm (27.95 X 21.85 in) cjr
67325		portratt av rembrandts mor	1631 se
89119		Reading the Bible	1645(1645) Medium oil on wood cyf
26806		Self-Portrait	mk52 1655 Oil on wood 48x37cm Rijksmuseum,Amsterdam
92687		Self-portrait	185 x 140 mm (7 1/8 x 5 1/2"). 1635 cjr
89115		self-portrait with a Palette	between 1660(1660) and 1665(1665) Medium oil on wood cyf
21781		The Dropsical Lady (mk08)	C.1663 Oil on panel 86x67cm Paris,Musee National du Louvre
20610		The Dropsical Woman (mk05)	Wood 34 x 27''(86 x 68 cm)Signed and dated 1663 with a claim that the painter was sixty-five years old;he was in fact fifty From the Royal Gallery of Turin;given by Charles-Emmanuel IV to General Clauzel Who forwarded it to the Luvre in 1799
89121		The Grocer's Shop	1647(1647) Medium oil on wood cyf
92477		The Night School.	c. 1660-1665 Medium oil on panel Dimensions Height: 53 cm (20.9 in). Width: 40.3 cm (15.9 in). cjr
89258		The Prayer of the Spinner	second half of 17th century Medium oil on wood cyf
92505		The young mother	1658(1658) Medium oil on panel Dimensions Height: 74 cm (29.1 in). Width: 56 cm (22 in). cjr
89114		Trumpet-Player in front of a Banquet	between 1660(1660) and 1665(1665) Medium oil on wood cyf
90046		Woman Peeling Carrot	second half of 17th century Medium oil on panel Dimensions Height: 57.2 cm (22.5 in). Width: 43.3 cm (17 in). cyf
89118		Woman Pouring Water into a Jar	1640s Medium oil on wood cyf
74473		Young Woman in a Black Veil	c. 1660 Oil on canvas 14.5 x 11.7 cm cjr

Gerard Dou

Leiden 1613-1675 was a Dutch Golden Age painter, whose small, highly-polished paintings are typical of the Leiden fijnschilders. He specialised in genre scenes and is noted for his trompe l'oeil "niche" paintings and candlelit night-scenes with strong chiaroscuro. His first instructor in drawing and design was Bartholomew Dolendo, an engraver; and he afterwards learned the art of glass-painting under Peter Kouwhoorn. At the age of 15 he became a pupil of Rembrandt, with whom he continued for three years. From the great master of the Dutch school he acquired his skill in coloring, and in the more subtle effects of chiaroscuro; and the style of Rembrandt is reflected in several of his earlier pictures, notably in a portrait of himself at the age of 22, in the Bridge-water House gallery, and in the "Blind Tobit going to meet his Son", at Wardour Castle. At a comparatively early point in his career, however, he had formed a manner of his own distinct from, and indeed in some respects antagonistic to, that of his master. Gifted with unusual clearness of vision and precision of manipulation, he cultivated a minute and elaborate style of treatment; and probably few painters ever spent more time and pains on all the details of their pictures down to the most trivial. He is said to have spent five days in painting a hand; and his work was so fine that he found it necessary to manufacture his own brushes. Notwithstanding the minuteness of his touch, however, the general effect was harmonious and free from stiffness, and his color was always admirably fresh and transparent. He was fond of representing subjects in lantern or candle light, the effects of which he reproduced with a fidelity and skill which no other master has equaled. He frequently painted by the aid of a concave mirror, and to obtain exactness looked at his subject through a frame crossed with squares of silk thread. His practice as a portrait painter, which was at first considerable, gradually declined, sitters being unwilling to give him the time that he deemed necessary. His pictures were always small in size, and represented chiefly subjects in still life. Upwards of 200 are attributed to him, and specimens are to be found in most of the great public collections of Europe. His chef-d'oeuvre is generally considered to be The dropsical woman, 1663, and The Dutch Housewife, 1650, both in the Louvre. The Evening School, in the Amsterdam Rijksmuseum, is the best example of the candlelight scenes in which he excelled. In the National Gallery, London, favorable specimens are to be seen in the Poulterer's Shop,

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